Skip to main content

Sid Muriel Releases Debut Single 'Hectic'



Sid Muriel is Tom Pullum, a reluctant Norfolk country boy and unsettled London city man at the same time. Never looking for a fight, but one always finding him whether that be with some ignorant soul insulting his androgynous fashion sense or the ones he starts in his own head. Yet, with cracked knuckles he weaves his way round a piano effortlessly, playing through the pain.


Sid Muriel on his music…


‘I’m looking to break the cycle my ‘genre’ is running around. I want to write about more than just nature and over the past year I’ve had an array of repressed emotions pouring out of me while writing. I've learnt my brain can't hold onto one emotion for long so I didn't think my music should sound like it can either. Thus Sid Muriel was born, I see the project as a balance between beautiful, dark and conflicted.’


On his debut release, ‘Hectic’…


“‘Hectic’ was written, recorded and brought to life last year when I illegally resided in Cable Street, Limehouse, London.  My flat, dubbed ‘The Shed’ by friends; had no running water, no cooking stove…just my beloved Piano ‘Joanna’ and me. Luckily, Cable Street is a hub for penniless creatives like myself so…dragging Joanna down a disused service elevator I recorded ‘Hectic’ as part of my EP with the fantastic Jon Moody (of Franc Moody fame) in his studio. It was wonderful. Drunk. Weird.


The video for ‘Hectic’ explores the darkness I saw in myself and others who grew up in the Norfolk Countryside. Anti Gentry if you will.”


Hectic’ is the first track off Sid Muriel’s debut EP, scheduled for release later this year.



Check out 'Hectic' HERE

Comments

Popular posts from this blog

MONAKIS - NEW TRACK - 'FAKE NEWS'

In the age of Trump, Covid and Brexit it’s hard to escape the feeling that we’re inching ever closer to some sort of chaotic crescendo. It’s an exhausting time for a lot of people, and alt-punk trio Monakis are none too happy about this mess. Their new track ‘ Fake News ’ is the Brighton band’s second single. Monakis are not keen to shy away from their outrage as the track erupts instantly at breakneck speed. Most recent bands commonly see fights break out at the gigs, but Monakis sound like a gig broke out at a fight. “Respect yourself,” frontman James Porter repeats throughout the track. It’s an unhinged mantra, one delivered with a charismatic snarl.  The sound production on this track is something that I noted right away. It does everything that it needs to do. Modern punk wannabes have a tendency to apply a sort of glimmer and shine to their sound, something which more often than not works to round off the jagged edges that the band have spent so long sharpening. This is not the

The Return

Well then, what a week that was. Many of you will have noticed that this page has been collecting some cobwebs for some time now. I have to apologise for that. Over the lockdown periods we lost something very dear to us all: live music. With this, my inspiration to write had significantly diminished - until this week. Monday night was filled with old friends and wholesome music, it was a well needed trip to the Windmill. This was followed on Saturday with a trip across the river to a park in Crystal Palace for a day of hard hitting tunes, riptide crowds and most of all dirty baselines.  That week reminded me why I wanted to write about music. The Windmill in Brixton is a personal favourite for us at ScumFiles and it was sorely missed.  On Monday I was treated to a night made up of three great acts: Zac Lawrence and The Hate, Sasha and the Shades, headlined by Ideal Husband. All of which contained one or more close friends. Many of you will know that it’s rather cosy venue and most nigh

ALIEN CHICKS SINGLE RELEASE @ THE WINDMILL BRIXTON

Alien Chicks where set to play their first gig after their single release “cowboy”. The venue of choice for their endeavour was there Windmill Brixton, and what a place to do it! I haven’t ventured to the Windmill for a fair few months and to be honest with you, I didn’t realise how much I missed the place. As the anticipation built, we walked up Blenheim Gardens and the topic of conversation was full of bands I’ve seen here in their early days; Goat Girl, Lynks, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Squid and Deadletter just to name a few and how I had the same feeling walking up this street as I do now for Alien Chicks.  We bust through the door and where met by the smell of old dry vomit and the sound of thumping punky bass, and I knew I was home… I first met Alien Chicks a few months ago and was blown away with their performance. After interviewing them I was very exited to see where they would end up next, and here I am at their sold out, headline gig at the windmill awaiting the re