Skip to main content

Wunderhorse - CUB Album Review


Well, Jacob Slater never ceases to amaze. On the 7th of October we were graced with the first LP from Wunderhorse. “Cub” has been highly anticipated by myself and many followers of the London rock scene. Since its arrival on Friday I have been glutinously indulging in this gritty yet elegant record.


The overall feel of the album slightly surprised me. With the most recent singles from Wunderhorse being “Leader of the Pack” and “Butterflies” I thought many of the tracks would have a more punchy punky vibe. The reality is that this is an album which spans the many sub-genre’s of rock and does it very well. “Poppy” is one for the physic-rock lovers with strong influences from the groovy breakdowns of bands like the Stone Roses and Happy Mondays. Where as “Butterflies” utilises some repeating reflective riffs and some heavy resonating bass giving it a Radiohead feel. “Purple” has more folk-like guitar riffs played with some mild distortion on the electric and although this track is laced with some cliche love lyrics; it’s very catchy. From the new tracks on the album, the grungy and moody toned “Girl Behind the Glass” was a stand out for me with Jacob harnessing his inner Kurt Cobain.

Listening to Wunderhorse is like a cathartic release for me, you get the sense that making this music gives that feeling to Jacob. Reflective thoughts of love and relationships are explored expertly throughout the LP. Many tracks were fairly stripped back, highlighting the beauty in the lyricism, then ending in a glorious crescendo of musical emotion. Since Slaters move away from his old band “The Dead Pretties”, he seems creatively freed to write what he wants, however he wants to - and we like it. We eagerly await more from this project and will enjoy this album thoroughly in the mean time.


Words: James Watson

Comments

Popular posts from this blog

MONAKIS - NEW TRACK - 'FAKE NEWS'

In the age of Trump, Covid and Brexit it’s hard to escape the feeling that we’re inching ever closer to some sort of chaotic crescendo. It’s an exhausting time for a lot of people, and alt-punk trio Monakis are none too happy about this mess. Their new track ‘ Fake News ’ is the Brighton band’s second single. Monakis are not keen to shy away from their outrage as the track erupts instantly at breakneck speed. Most recent bands commonly see fights break out at the gigs, but Monakis sound like a gig broke out at a fight. “Respect yourself,” frontman James Porter repeats throughout the track. It’s an unhinged mantra, one delivered with a charismatic snarl.  The sound production on this track is something that I noted right away. It does everything that it needs to do. Modern punk wannabes have a tendency to apply a sort of glimmer and shine to their sound, something which more often than not works to round off the jagged edges that the band have spent so long sharpening. This is not the

The Return

Well then, what a week that was. Many of you will have noticed that this page has been collecting some cobwebs for some time now. I have to apologise for that. Over the lockdown periods we lost something very dear to us all: live music. With this, my inspiration to write had significantly diminished - until this week. Monday night was filled with old friends and wholesome music, it was a well needed trip to the Windmill. This was followed on Saturday with a trip across the river to a park in Crystal Palace for a day of hard hitting tunes, riptide crowds and most of all dirty baselines.  That week reminded me why I wanted to write about music. The Windmill in Brixton is a personal favourite for us at ScumFiles and it was sorely missed.  On Monday I was treated to a night made up of three great acts: Zac Lawrence and The Hate, Sasha and the Shades, headlined by Ideal Husband. All of which contained one or more close friends. Many of you will know that it’s rather cosy venue and most nigh

ALIEN CHICKS SINGLE RELEASE @ THE WINDMILL BRIXTON

Alien Chicks where set to play their first gig after their single release “cowboy”. The venue of choice for their endeavour was there Windmill Brixton, and what a place to do it! I haven’t ventured to the Windmill for a fair few months and to be honest with you, I didn’t realise how much I missed the place. As the anticipation built, we walked up Blenheim Gardens and the topic of conversation was full of bands I’ve seen here in their early days; Goat Girl, Lynks, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, Squid and Deadletter just to name a few and how I had the same feeling walking up this street as I do now for Alien Chicks.  We bust through the door and where met by the smell of old dry vomit and the sound of thumping punky bass, and I knew I was home… I first met Alien Chicks a few months ago and was blown away with their performance. After interviewing them I was very exited to see where they would end up next, and here I am at their sold out, headline gig at the windmill awaiting the re